Tag Archive: framerunners

Jul 23

Rusty

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“Rusty

Graphite, 8.0″x8.0″ wide.

Signed and numbered prints – AVAILABLE

To purchase this original sketch, please contact Jef by clicking here.

To purchase a print of this item, please click here.

 

Jul 23

The Minotaur

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“The Minotaur

Graphite, 10.0″x8.0″ wide.

Signed and numbered prints – AVAILABLE

To purchase this original sketch, please contact Jef by clicking here.

To purchase a print of this item, please click here.

 

Jul 23

Avenging Angel

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“Avenging Angel

Digital, 16″x10″ wide.

Signed and numbered prints – AVAILABLE

To purchase a print of this item, please click here.

Jul 23

Azarias

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“Azarias

Graphite, 8.0″x8.0″ wide.

Signed and numbered prints – AVAILABLE

To purchase this original sketch, please contact Jef by clicking here.

To purchase a print of this item, please click here.

Jun 25

In the Company of Angels: Episode 15.2 – The Abbot (cont.)

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In the Company of Angels, Episode 15.2 – The Abbot (cont.)

 

“Welcome to Rome, my dear,” said the Abbot. “I am Father Hildebrandt. And Sam here has been telling me all about you. You appear to have made quite an impression on him and all of the other members of the Order!”

Jill looked at Sam, who had turned bright red. “I just told him the truth,” Sam said.

Father Hildebrandt ushered Jill into the room and seated her before his desk. Sam quietly slipped her a piece of chocolate, and then stood up to leave.

“We were just waiting for you, but I know Father wants to speak to you alone. I’m  going to chat with Brother Carroll, one of the monks here. I’ll be just outside,” he said, and winked. Jill once again felt that curious burst of joy from Sam that she had first felt when they had been in Oxford together.

Sam pulled the office door shut behind him, and Jill heard him chatting with someone outside.

Turning back to look at the office, Jill noticed that, in one corner, a stand had been set up and Muninn was perched there, happily grooming himself. He was not caged.

“Aren’t you afraid he’ll fly away?” asked Jill.

“Oh no,” said the Abbot. “You see, we have come to an understanding.”. He walked over to the perch and put out his arm. Muninn hopped onto his sleeve, and the Abbot stroked the bird’s throat gently. The bird’s eyes shut, and it was clear that the creature enjoyed the attention.

“Father Abbot….?”

“You can call me ‘Father Hildebrandt’, dear, or just ‘Father’. Everyone else does.”

“Well, Father, I was just wondering; since the raven…er…Muninn, seems to have caused so much trouble, how do we know he isn’t working with the, uh, the Amenta? I mean, how do we know he isn’t evil himself?”

“That’s a very good question. The simple answer is that animals, even fairly intelligent ones such as ravens, are not responsible for the acts that others might urge them to commit. We have no way of knowing if Muninn’s stealing of the Guarding Stones was instigated by the Amenta, or whether it was all simply the creature’s natural curiosity and interest in pretty things that wrought the havoc. I’m inclined to think it was the first, and that Muninn was urged to steal the stones. But he’s not truly responsible in either case.

“We can’t know for certain, of course, but it is also safe to say that he poses no further threat, provided we keep him away from other paintings!” The Abbot smiled.

After a minute or so, Father Hildebrandt eased Muninn back onto his perch, and then he returned to his desk.

“Now, my dear, I want to give you a chance to tell me what happened on Orbaratus, in your own words. And I’d also like to answer any questions you might have about what happened, and why. I do not have all of the answers, but such as I do have, I am more than willing to share with you. You have earned that much, and more.”

So, Jill related the whole story of her adventures, just as she had to the Professor in Oxford, but she continued on with the full story of Sam’s and her return to Orbaratus, the battle at the gateway, and their eventual journey back to the Gallery.

Father Hildebrandt listened intently, only interrupting her when he was unclear about an event. Jill thought what a marvelous listener he was, and she wondered at one point whether he, too, might be an Empath. To her surprise, he answered her aloud.

“No, I am not an Empath. I don’t have that gift.”

“But how did you know what I was thinking if you aren’t?” asked Jill, surprised.

“Because you, being an Empath, ‘think’ rather loudly, my dear!” said the abbot, chuckling. “I am merely observant, but unlike you and Polydora, I cannot project my thoughts into others’ heads, nor read theirs.

“Yours is a great gift, and one that will bring with it many temptations as you come to understand it better. Remember to always use this talent wisely, and kindly. You may find, in time, that many things you come to ‘hear’ from others, you may wish had remained secret.”

“I don’t understand, Sir.”

“Perhaps not yet, but hopefully we can teach you how to block out others’ thoughts unless you have an urgent need to hear them; that way you respect their privacy and preserve your own integrity.

“But, now that I’ve heard your tale, what do you still wish to know about last week’s events?”

“Well, Father,” said Jill, “I think we were all a bit perplexed by Brother Azarias’ concern about the portal going missing. I never heard anything from Sam about it during the week. What was that all about?”

Father Hildebrandt smiled and related the news that the Gallery had, in fact, been burned down, and that Brother Azarias had had to travel back in time to prevent it.

“The five men that were arrested weren’t, of course, the ones who instigated the arson…well, the attempted arson. That was someone else, of whom we know a few things. But the important point is that the plan was foiled. If it had not been, the painting you used to reach Orbaratus would have been destroyed in the fire and the portal would have gone missing. Does that make sense?”

“I guess so,” said Jill. “It’s hard to keep such things straight, though. I haven’t read much science fiction; I’m guessing this is the sort of thing that’s explored in the books Sam likes so much….”

“Time travel can be confusing to anyone,” said the abbot, smiling. “Happily, Brother Azarias’ plan worked, the gallery was saved, and you were all able to return safely. The Amenta are not to be trifled with, and this was far too close a call for all of us!

“But, speaking of the Amenta, there is something I need to ask you.”

“Yes, Sir?”

“Do you think what you have been through was of value to you? That is, were your experiences the sort of thing you would ever wish to do again…or have you had enough of framerunning?”

“Are you asking me if I want to continue helping Mr. Luke and Sam?” asked Jill. “You mean, like, that’s an option?!”

“Yes, of course it is. But I want you to think about it very carefully. You were put in very grave danger, and in a way that we could not have anticipated. You survived, and you even uniquely helped to prevent a great catastrophe from occurring. But you and Sam are still both quite young.

“I’m asking you whether you wish to continue working with Sam and Mr. Luke, given what you’ve seen about the reality of the danger and the evil that exists out in the world: ours  as well as others. There is no disgrace or shame if you should decide you’d rather not continue helping us; framerunning is not for everyone!”

Jill sat and thought for a moment. “Father, I know what you’re saying. But it seems to me that, if I hadn’t seen the tougher side of framerunning already, I’d be more likely to make a bad decision. Last week was very scary, but I’d do it all over again in a heartbeat just to know that I was able to help my friends.”

The abbot considered her for a long time in silence, but Jill could sense nothing whatsoever about what he might be thinking.

“In that case, all I can say, my dear,” said the Abbot, “is that Brother Azarias and Polydora, both of whom I trust more than anyone when it comes to understanding a person’s nature, are both quite right about you. You are, indeed, an extraordinary individual. And if helping your friends is what you wish to continue doing, then I would be a fool to deny you the chance.

“There is, however, one matter we must attend to, if you are determined to continue helping us in our work.”

“What is that, Sir?”

“We need to make sure that you are protected from the Amenta going forward. Sam, Luke, Polydora, and all of us are protected, and must be, in order to carry out our work. You know that the Amenta are attracted to the crystals, yes?”

“Yes, Sir,” said Jill.

“Well then, over the centuries, we have found ways of masking our whereabouts, and even masking the presence of any sapphires that we keep in our possession. If you are willing, I would like to bestow on you this protection. That way, if you ever are left alone with a crystal in the future, you will not be troubled by the ‘Howlers’, as Sam calls them.”

Jill was more than happy to be rid of the Howlers going forward. So, Father Hildebrandt had her stand up. He retrieved a small silver jar and a book from his desk, and, reading in a soft voice, spoke over her words that seemed to be in Latin, and that Jill could only describe as a sort of a blessing. When the Abbot had finished reciting the words from the book, he marked her forehead and the palms of her hands with a fragrant oil taken from the silver jar.

“There. You should be largely untroubled by the dark ones of the spirit world henceforth,” he said, smiling. “And welcome, my dear. Welcome into the Fratrum Simulacrorum. You can, if you wish, think of yourself as a Novice, which is what we call the aspiring folk who are seeking to come into the Benedictine order. And I pray that you are helped and strengthened as much as you help and strengthen us in the months and years to come.”

“Thank you, Father,” said Jill.

The Abbot returned the book and the silver jar to his desk. Then he walked over to his office door and opened it. “Sam, if Brother Carroll has done with you, I believe Miss Jonsson is ready to return home now.”

“Oh, great!” said Sam. He came into the office beaming. He turned to Father Hildebrandt. “So, she’s safe now?” he asked.

“Indeed, and you can quiz her on everything we discussed all the way back home again,” said the Abbot, smiling.

The trip back to the Gallery was a bit easier for Jill this time, to which she credited the delicious hazelnut-laced chocolates with which the Abbot had supplied them. And, true to his word, when she and Sam arrived back at the Gallery, Mr. Luke had a surprise awaiting her. He held in his hands a small silver box that was tied with a silver ribbon. He was about to give it to her, but then he thought better of it and handed it to Polydora.

Polydora knelt down in front of Jill with the small box cupped in her elegant, six-fingered hands. “Go on, open it,” Jill heard Polly’s voice in her head tell her.

Jill took the box and unwrapped it. Within it was a silver ring, not unlike the one that she had used to framerun before, but this one was smaller and more delicate. The emblem of The Framerunners was embossed on either side of the oval sapphire, and inside the band, her initials were engraved.

“This is to be your own personal sapphire going forward,” said Mr. Luke, “just as Samuel has his own and I have my own.”

“I actually have three!” said Sam, grinning. “And I never go anywhere without ‘em!”

“Hmm, well, that’s true. But then, Samuel is a Navigator, so he probably has more need of crystals than anyone. Polly, on the other hand, doesn’t have one of her own because she never leaves the Gallery, but that may be about to change….”

“What do you mean?!” asked Jill, “Is Polly going somewhere?! Isn’t she going to continue here as the Keeper of the Gallery?!”

“Yes, certainly, she is, have no fear on that score! But after our adventure last week, she has said she would like to accompany us on some of our future trips, should the situation allow her to do so. So, Jill, given that fact, and given that she may need her own sapphire going forward, could we have you do the honors for Polly…?” Mr. Luke produced another silver box and handed it to Jill.

Jill turned to Polly, who was still kneeling next to her, and placed the box in her hands. Then she threw her arms around the Ferrumari and hugged her tightly. Polly unwrapped the box and withdrew a ring very similar to Jill’s, but much larger. The engraving on the inside of the band was rendered in characters that Jill didn’t recognize.

“Are those your initials in the Ferrrumari alphabet?” she thought to her friend.

“Something like that,” Polly answered.

“But why would you ever want to leave the Gallery now? Especially after all you went through on Orbaratus? I mean, this is your home, Polly, after all….”

“Yes, it is. But I won’t be leaving the gallery except as needed. And besides, someone has to look after you when you’re out on your adventures, Little One.” The words Jill heard in her head were followed by the sweet familiar chiming of Polydora’s laughter.

 

 

          [ To read Episode 16, the conclusion to In the Company of Angels, click here…. ]

 

 

 

Mar 09

The Framerunners – Newsletter for March, 2015

What’s new on the website?

There a brand new section on the website, under the Stories menu, entitled Vignettes. From that page, going forward, you’ll be able to find short scenes and portions of tales that may or may not ultimately end up in the longer stories. There are only a couple posted there now, but I hope you enjoy them! Some of these may end up being teasers for upcoming story lines, but there are no guarantees! That said, if you really, really like a particular vignette, let me know and perhaps we’ll explore some aspect of that scene going forward.

I have continued to be remiss in keeping the illustrations for each episode posted in the online gallery (located at http://jefmurray.com/framerunners/the-gallery/ ). But, I am including a link on each episode image posted that will allow you to order prints, if you are interested in doing so. If you don’t know the name of a sketch or painting print that you’d like to have, you can reference the episode in the description. I will once again promise to try to update the gallery more regularly going forward!

Where are we now?

Episode 7.2 has our Framerunners spread out between three different worlds. Polydora is still on Orbaratus, and presumably Luke Lester is in London. Meanwhile, Jill and Sam are attempting to find out more about the raven and to see whether it, in fact, is responsible for the theft of one of the guarding stones. They have only just learned that not only have they returned to earth, but that they have time traveled: to Oxford, England in 1946!

If the above is confusing, you can read all seven posted episodes from the beginning by clicking here: http://jefmurray.com/framerunners/in-the-company-of-angels/ and then clicking on Episode 1.1. At the end of each episode is a link pointing to the next in the tale.

Where are we headed?

In Episode 8.1, Jill and Sam remain with the Professor in England, trying to discover the whereabouts of the raven and how it manages to framerun, and Sam comes up with a novel way of locating the raven’s nest.

 

How else can I get involved?

We have set up a discussion page on Facebook, but I seem to be the main person posting to it at present. That said, our email list continues to grow, and a number of folk have now been posting comments and questions after the episodes themselves. Please feel free to do so! I’m happy to answer questions as long as I don’t reveal any spoilers (about this I’ve been warned quite sternly by a couple of readers ;-). I’m also happy to get feedback on the new Vignette tales. Let me know if these intrigue you, and if there are favorites, we may end up exploring those scenes more in the future.

I’m continuing to try to learn about homeschool groups and YA literature groups to try to introduce The Framerunners (www.TheFramerunners.com) to new readers. If you know of young readers in your families or community whom you believe would enjoy these stories, please have them join our email list and/or like our FB page, or feel free to let me know about them! List information will never be shared with anyone else for any reason, period.

In any event, if you are continuing to like what you’re reading, please spread the word! The more folks involved, the more fun it is for all of us!

Jan 07

The Pendant

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“The Pendant

Graphite, 6″x10″ wide.

8.0″x8.0″ original graphite sketch – AVAILABLE

Signed and numbered prints – AVAILABLE

To purchase this original sketch, please contact Jef by clicking here.

To purchase a print of this item, please click here.

Jan 07

Cair Paravel

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“Cair Paravel

Oil on canvas, 13″x21″ wide.

13″x21″ wide signed and numbered prints – AVAILABLE! Please click here.

13″x21″ original oil painting – AVAILABLE!.

To purchase this original painting, please click here.

 

Dec 05

In the Company of Angels: Episode 1.1 – A Rumpus in the Library

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In the Company of Angels, Episode 1.1 (Pilot) – A Rumpus in the Library

 

“Since the earliest of times, even from the dawn of man, when mystics first painted images on the walls of the caves at Lascaux and Altamira, there have been rumors: rumors that the worlds drawn in pigment and charcoal exist not only in the minds of the artists who created them, but in actual fact. And in every age, children are born who gaze with wonder at these worlds and ask ‘are they real?’ and ‘can I go there?’

“These journals are dedicated to those of us who never stopped asking those questions. They chronicle a story that began long before our own time, but that I take up in the present day. If you are reading my words or hearing my voice, then you are being entrusted with knowledge that very few have possessed over the long march of the centuries. My name is Azarias, and these are the tales of our Order: of those who have, in the past, been called the Fratrum Simulacrorum, but who are today known simply as The Framerunners.”  

                                — Brother Azarias, Fratrum Simulacrorum Archives Manual

 It all began on a chilly February morning in Chelsea Heights. Jill Jonsson was sitting at her kitchen table, watching the birds in the outdoor bird feeder, her blonde hair glowing golden in the morning sunlight. There were two cardinals, a male and a female, that flitted back and forth between the feeder and the bare fig tree in the front yard. They reminded Jill of the Christmas ornaments that she and her mother had put away just the week before.

Suddenly, Jill was startled by a loud thump and a crash. The noises came from the back of the house, and she immediately jumped up to see what Hazel, her mischievous tomcat, might have gotten into. But then she noticed Hazel sitting nonchalantly by his food dish, looking curiously toward the hallway.

Jill lived with her mother in the house at 1513 Vida Way. It was a small cottage, but nice; Jill had her very own tiny bedroom upstairs, and her mother had turned a spare room in the back of the downstairs into a library just for her.

Two full walls of the library sported bookcases, and these groaned under the weight of Jill’s favorites: the Narnia Chronicles, the Princess and the Goblin, The Hobbit, A Wrinkle in Time, The Wind in the Willows. These were just a few of the many in her collection, but she also loved mysteries and tales of other worlds than these, and longed for the time when she would be old enough to read books that, for now, her mother considered too difficult for her.

Jill also collected posters and prints of her favorite characters and scenes from her books, and these covered what little wall space was not already claimed by bookshelves: Fledge the Winged Horse flying through Narnia; Bilbo Baggins walking in the Shire; Mole and Rat poling down the river together. She even had a painting that she loved, but that didn’t seem to belong in any particular fairy tale: it was just a beautiful scene from a late summer’s day, with a gnarled oak tree and a little boy seated beneath it. He was playing a sort of a flute. Behind him stretched a river, and circling around him were wispy fairy-like figures that seemed to be dancing while he played.

But now Jill was startled and a little perplexed by the noises from library. Hazel had been known to knock over her bookcases; it had happened before, heaven knows! But now there sat Hazel, looking back and forth at her and at the hallway. So, something else must have happened, and there was nothing for it but to go see just what.

“Come on, Hazel, let’s see if anything is broken,” she said. Hazel ignored her, remaining firmly planted beside his food dish.

Jill stepped out of the kitchen, but then she halted. She heard more noises coming from the back of the house. Now she was a bit frightened. It occurred to her that a raccoon might have gotten inside, or perhaps even a burglar; and she was all alone in the house! She looked around and grabbed a broom from the pantry, then she slowly tiptoed down the hallway, trying her best not to make the slightest sound.

She crept toward the door to the library, but nothing seemed to be stirring. Jill was just starting to relax, when she heard a second crash, and a loud “Ouch!” coming from the library door.  She tiptoed closer and peeped inside.

Sprawled upon the floor was a man with his back to the wall and his long legs stretched out; beside him stood a boy with curly black hair wearing a rumpled sweatshirt. The library desk, which was a heavy old fashioned rolled-top that had been made by Jill’s great uncle, was knocked halfway across the room. It appeared almost as if someone or something had come hurtling through space and struck the side of it, skidding it and leaving scratch marks on the hardwood floor. And of course, this is very nearly what had happened. The man on the floor was rubbing his forehead and wincing. The boy was looking up at the wall behind the man; on it was a large poster-sized painting of a centaur in a wood in Narnia.

Just then the man looked up and saw her. “Oh! I’m sorry! We didn’t know anyone was home!”

The boy turned around, and said “Jill!” at the exact same time that Jill said “Sam!”

The man looked at both of them. “Oh, do you two know each other?”

“I should say so!” said Sam. “Jill is in my class. She’s my friend.”

“Ah, well then, that’s good, then there’s nothing to worry about. I’ve just bumped my head, you see….” The man indicated to Jill the lump on his forehead, which looked quite red and swollen.

“Yes, but you almost crushed me on the way in,” said Sam, crossly. He rubbed his shoulder and flexed his arm to make sure it was still functioning properly.

“But who are you?” asked Jill, “and whatever are you both doing in my library?!”

“Ah, yes, that…” the man slowly pulled himself up from the floor, steadying himself against the wall. He was tall, looked to be in his early twenties, and had longish hair and a thin, closely-cropped beard. He brushed himself off. He was wearing a long duster coat that made Jill think of Sherlock Holmes.

“My name is Luke; Luke Lester.” He reached out his hand toward Jill, who didn’t move from her position by the door; in fact, she still held the broom in front of her to show them both that she was armed.

“Oh, come on Jill, be a good sport. We’re not here to hurt you!” said Sam.

“Then what are you here for?”

“Yes, well, I expect this is a bit of a surprise for her, Sam,” said Luke, “and I don’t blame you for being wary, my dear. Let me apologize for the mess.” Luke looked at the desk and, with Sam’s help, pushed it back into place. “We were, well, chasing someone, and we…uh…thought we saw him come into your library through a…um…through a window.”

“But the window’s locked,” said Jill, “and we have an alarm system.”

Luke looked at the window, still rubbing his forehead. “Yes, that does seem to be true. I suppose perhaps the alarm may have malfunctioned? But, this fellow was definitely in your house, you see, and he had something that…well…that we were afraid would cause him harm if we didn’t get it back; something that he seems to have gotten hold of…uh…by accident.“ He paused for a moment. “You haven’t, well, seen any strangers in your house today, have you?”

“You mean, other than you?!”

“Ah…yes…other than me, since you already know Sam…”

 “Well, no, I haven’t. But I don’t think that matters. You both need to go. My mom will be home any minute and I think it would be better if you left.”

“Quite right! Quite right!” said Luke. “I’m sure we must have been mistaken, after all, Sam,” he said, turning to Sam and smiling. “Well, if you’ll just lead us to the front door, Jane, we’ll be off. I’m terribly sorry about all of this….” Luke suddenly put his hand against the wall and rubbed his eyes.

“Are you alright?” asked Jill.

“Yes, Mr. Luke, you don’t look too well…” said Sam.

“Yes, yes, I’ll be fine. Just a combination of taking an unexpected run and then bopping my head. I need a moment….” He shook his head again and muttered something under his breath. Sam put his hands on his hips and said something back to him, also under his breath, which sounded to Jill rather like “…well, you didn’t tell me there’d be wild boars in Narnia, of all places…”

“Well, you don’t look fine, either one of you! Would you like me to call someone for you?”

“No, no. But, that’s very kind of you.” Luke looked at her more closely. “Why, you have very nice manners for a little girl!”

“I am not a little girl!” said Jill. “I’ll be thirteen next week!”

“My mistake, I should have said ‘for a young lady’. I’m afraid I’m still a bit groggy. Will you accept my apology?” Luke again reached out his hand to Jill. This time she timidly accepted it.

Jill led them toward the front door, but when they reached it, Luke sat abruptly down on the lowest step of the stairway leading to the second floor. He gripped the handrail tightly.

“Would you like some water…or tea…or something?” Jill asked.

“Well, you know, I expect this will sound a bit strange, but…would you happen to have a bit of chocolate anywhere in the house?”

     [ To read Episode 1.2, click here…. ]