Tag Archive: Azarias

Apr 02

In the Company of Angels: Episode 9.2 – The Renderer (cont.)

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In the Company of Angels, Episode 9.2 – The Renderer (cont.)

 

“Yes, I’m afraid I do,” said Azarias, his brow furrowing. “What is it about the Jonsson family? Well, we can’t overly concern ourselves with that issue at present. Pray continue.”

Luke picked up the tale, including Sam’s loss of one of the crystals and its recovery by Jill. Both Azarias and Father Hildebrandt were alarmed to hear that it had been out of Sam’s possession for as long as it had, and they were not surprised to hear that the Amenta had gathered to try to take the gem.

“Sam calls them ‘spooks’, or just ‘howlers’ of course, but we all know that they are the vanguard of a much greater Darkness,” said Azarias, “That was a close call! But thereafter, you invited Miss Jonsson to visit you at the Gallery. Why in the world would you do that without consulting me?”

“Because Sam knows her,” said Luke, “and he was sure she had seen too much to dismiss without a great deal of additional explanation. He also, I believe, has good instincts for people, despite not being an Empath himself. In addition, Polydora believed that Sam would have great difficulty dissembling over the events at Jill’s home, since they are such good friends. I took a chance; and it paid off, as you’ll soon hear.”

Luke continued his tale, explaining how Jill had come to the Gallery and had been instantly identified by Polly not only as an Empath, but as an extraordinarily gifted one.

“Polly claimed she had never encountered anyone other than you, Azarias, who had the ability to see as far or as clearly.”

Azarias and Father Hildebrandt looked at each other, and Luke suspected that a quiet telepathic exchange had taken place. But it only lasted a moment.

“Please, Luke, do continue,” said Father Hildebrandt, turning back toward him.

Luke described the trip to Orbaratus, Polly’s recognition that things were amiss, the trip to the Plaza of the Masters, and the discovery that one of the three guarding stones was missing. At this both Azarias and Father Hildebrandt became alarmed.

“It is, then, as we feared,” said Azarias. “The events here have been a diversion; the real drama is about to play out on Orbaratus, and we will have to do everything in our power to get that stone back into place if we are to avoid catastrophe.”

“Then you know about the stones?” asked Luke.

“Know about them? Yes indeed! But tell us what happened once you had discovered that a gem was missing.”

Luke mentioned the earthquake, the raven, and his decision to allow Sam and Jill to try to follow the bird and retrieve the stone.

“I understood the risks, but we could not leave Jill alone with a crystal on her; that would have put her in danger, since she has not yet been placed under protection.”

Azarias looked up at Father Hildebrandt. “We’ll need to remedy that as soon as possible.”

“Agreed,” said the Abbot.

Luke continued. “I believe that Sam and Jill, working together as a team, should be as capable as anyone of finding the bird and the guarding stone. I also felt urgently that I needed to warn both of you and seek advice. For I could only deduce the gem’s significance; I could not be certain of it. The situation called for us all to split up in order to save time.”

“But what of Polydora? Did she accompany Sam and Jill, or did she return to the Gallery?” Azarias leaned forward with an anxious look on his face as he asked the question, as did Father Hildebrandt. Luke wasn’t sure why the issue was so important to them.

“She remained on Orbaratus,” he said.

Both of the older men appeared visibly relieved. “She should certainly be able to keep anything worse from happening on her homeworld, and much better so than anyone else under the circumstances,” said Azarias, “But she doesn’t really understand what may be coming, and we mustn’t leave her there alone for too long, particularly if the Masters are indeed showing signs of stirring.”

“So that is what is happening?” asked Luke, “The Masters — the ones behind the stone gate — are awakening because the guarding stone was removed? As I said, I deduced that something of the sort could possibly occur, once Polly had fully translated the verses above the door for us. They were certainly a warning, even though they were written onto the stone lintel thousands of years ago.”

Azarias smiled. “Indeed, you surmised correctly. And that is precisely why the verses were left over the gateway in the first place. Yet, the Masters should remain restrained as long as only one of the stones has been prised away. They may stir, and they may even be able to regain a small measure of wakefulness, but the gate will hold against them — at least for a while.”

“But there is still much that you do not know, Luke, and at this point, despite our need for haste in returning to Orbaratus…”

“So you will be coming with me?” interrupted Luke.

“Yes, yes, certainly! That is a necessity at this point, but for reasons I’ve yet to state. In the meantime, I think it time to acquaint you more fully with the early history of Orbaratus. In fact, that also is imperative, so that you know what it is we may be facing.

“What I am about to tell you,” Azarias said, rising from his chair and pacing before the Abbot’s desk, “is now known only to myself, Father Hildebrandt, and the Masters, although their perspective on these events would be, as you might imagine, considerably different from ours. Not even Polydora knows all of what you are about to hear.

“When we first explored Orbaratus and discovered Polydora there, it was clear that her world had been victimized by the Amenta.  After Polly came back with us and began her work in The Gallery, I took the opportunity to make many trips to her world so that I could better understand what had happened there and to try to determine whether her world was truly as empty and abandoned as it first appeared to be.

“It was not.

“The Amenta had conquered the original peoples of Orbaratus, the ones we now know as the Masters. But in those earliest days, they called themselves simply the Ferrubene, or the ‘Blessed Ones’ in their own tongue. They were a brilliant people, skilled in crafts, the arts, and philosophy, and as their ultimate achievement, they brought into being a servant race of creatures that, at first, were simply clever automatons. But these were gifted with learning algorithms that ultimately, and in a manner beyond the wildest hopes of the Ferrubene craftsmen, resulted in their awakening into a fully sentient race. This, of course, was far beyond the Ferrubene’s own skill; it was a gift granted by One greater than themselves, and it was ultimately to a greater purpose of its own, as you shall see.

“But, the Ferrubene liberality in learning, and their untempered love of tolerance and diversity, led to their downfall. After the awakening of their servants, their educators and leaders allowed evil ideas to creep into their prosperous and peaceful world, and these ideas remained unchallenged. Prosperity ever breeds excessive complacency and misplaced tolerance toward evil, Luke, as you should always remember. Ah, there have been so many civilizations destroyed by their own successes! But, I digress….

“In the case of Orbaratus, the seemingly benign tolerance and the weakening of a societal moral compass — all made possible by wealth and abundance — extended even to the point of defending evil doctrines in their many guises. In such a setting, idleness also encouraged dangerous experimentation among the elites, and the Amenta, who are able to travel unfettered into any world that invites them in, found their opening and quickly exploited it.

“The Amenta, once they had come to Orbaratus, whispered into the ears of the rulers among the Ferrubene, promising ever greater riches and glory if they promoted what was in effect a new religion: one that would ultimately serve to destroy their world. The tenets of this religion are unimportant, but it cloaked its adherents in a mantle of victimhood and injustice that they used against the greater Ferrubene society itself. The religion was quietly taught to those with less education and skills: these were convinced that they were victims of societal injustice, and that the new faith would avenge all the wrongs they had suffered. Others were converted through promises of more power, or, as a last resort, by threats of violence to themselves or to their families.

“The worship of novelty had become so widespread at this time, by the urgings of the Amenta, that common sense was utterly abandoned, and anyone who challenged the teachings of the new religion was labeled a bigot and a hater of the coming ‘New Era’. Societal disruptions increased, and eventually these reached the stage that stopping them and prosecuting their instigators was impossible. Killings and riots in the name of the new religion became widespread. Whole cities were burned and looted, and the Ferrubene people turned against themselves in open civil war after civil war.

“In this setting, the Ferrubene’s servants strove against the teachings of the new religion, and even while the Ferrubene killed themselves off, the Ferrumari ever sought to save the lives of their creators. But they were largely unsuccessful, for the Ferrumari numbers were too few. In the end, most of the Ferrubene died, leaving behind only the worst and the most corrupted of their rulers. These the Amenta had preserved, knowing them to be their greatest servants.

“Now that there were so few of the Masters left, the Ferrumari captured and imprisoned them, fashioning for their onetime creators a place where they could be held harmless. But the prisons were incapable of holding the Masters, until, ultimately, when the opportunity was offered them, the Ferrumari put the last of that twisted master race into a state of biological suspension. This was done in the hopes that a day might come when they could be cured of their madness, for the Ferrumari were and are a very compassionate people.

“The gate to their resting place was sealed with three crystals whose power was both to sustain the Masters’ suspension and to keep the gate that sealed their prison strong and inviolate.

“Without the Masters to breed further strife, the Ferrumari themselves at first thrived, but they, too, many thousands of years later, also became victims of the Amenta. In the end, they, too, turned upon themselves, ultimately destroying all members of their own race save Polydora. She and the Masters who remained alive — although suspended behind and below their stone gateway — are now the only living inhabitants of Orbaratus. You, Luke, are already familiar with this latter history, as I recall.”

“Yes, I am,” said Luke, “and I related it to Jill and to Sam earlier today. But I was certainly unaware that the Amenta had claimed both of the planet’s sentient races, rather than just the latter one.”

The room was silent while they all considered Azarias’ words.

“But how on earth did you learn all of this?” asked Luke. “Polly lived for thousands of years on her planet, and she was unable to fully decipher anything other than fragments of the history you’ve just related.”

“Ah, yes, that is true,” said Azarias, “but Polly did not have the one tool she might have used to discover the full truth about her planet’s ancient history.”

“And what tool was that?”

“Why, the ability to framerun, of course. I was able to learn much, much more than she ever could in all her years on Orbaratus; but that was only possible because I was able to travel to her world through both space and time.”

“So are you saying you went back to Orbaratus during the earliest times of the Masters and directly witnessed much of what you have just related?”

“I not only witnessed it, but I did what I could to minimize the sufferings that I encountered there; at least, to the extent I was able.”

“What do you mean?”

“Simply this; that it was I who taught the Ferrumari how to contain the Masters. And it was I who placed the three guarding stones upon the gateway in the first place, sealing them within!”

         [ To read Episode 10.1, click here…. ]

 

 

 

Mar 26

In the Company of Angels: Episode 9.1 – The Renderer

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In the Company of Angels, Episode 9.1 – The Renderer

 

 When Luke Lester stepped through the sketch he had made on Orbaratus and arrived in England, he was greeted by the grey light of a chilly, dank, foggy winter’s day pouring through the windows of a London flat. He had made the sketch with this flat in mind, of course, and given what he knew about the head of his Order, he was not in the least bit surprised to find that Azarias had anticipated his arrival.

The flat itself was on the top floor of a compound of brick buildings in the west of the Kensington and Chelsea sections of London. The community had given itself the grand title of Kensington Mansions. Azarias, or rather, “Brother Azarias”, as Luke reminded himself, was an odd and eccentric resident of a very wealthy part of the city: he was a monk amongst millionaires.

But the flat itself, situated adjacent to the High Street Kensington tube station, allowed Brother Azarias easy access to Heathrow airport, to Paddington Station, and to King’s Cross: thus, he could travel unfettered to any part of England or points north, west, south, or east as needed. That, in addition to his being within easy walking distance of the British Natural History Museum and the Victoria and Albert, made this an ideal location for an erudite scholar of history, culture, science, and lore: for so Azarias introduced himself to his neighbors. Luke smiled as he recalled overhearing discussions with the Abbot, Father Hildebrandt, about Brother Azarias’ choice of accommodations.

“They will seem a bit opulent for a religious,” he had told Brother Azarias.

“Indeed, but such a location will give me access to resources available nowhere else, and who is to say what good the presence of a ‘sign of contradiction’ might serve in such a posh neighborhood?” Luke could still remember the smile on Azarias’ face when he had made that statement; it was the smile of the fox in the hen house.

The Abbot Primate had, without much additional persuasion, agreed to Brother Azarias’ request. Luke knew that the two of them had, as his own brother Charles had once told him “a history” together. Charles was close friends with many of the Benedictine monks, and Father Hildrebrandt was the worldwide head of that Order.

Father Hildebrandt and Brother Azarias, according to Charles, understood each other in a way that might appear perplexing to Luke, but Charles had always insisted that the two were kindred souls in ways that were difficult for ordinary folk to appreciate.

“You must know, Luke, that Brother Azarias is — how shall I say this? — quite inscrutable: to the point of being otherworldly, even,” Charles had once confided to him. “That is precisely why he was entrusted with the charge of your Order, of The Framerunners. He is privy to knowledge that even Father Hildebrandt is not, I rather suspect. Believe me; I have seen him in situations no ordinary human being would ever wish to be found in, and he has proven himself more than their equal in every case….”

These thoughts flooded through Luke’s mind as he stood in the living room of Brother Azarias’ flat. It was sparsely furnished with a sofa, a table, and bookshelves that covered literally every wall. Luke recalled that the flat had a single bathroom and two bedrooms; both of the latter were choked with books as well, but the accommodations were reserved as much for other members of the Benedictine order and for the Fratrum Silulacrorum as for Brother Azarias himself. This was a “safe house”: a conclave nestled in the cacophony at the heart of London. Luke paused and listened; the constant “click-click, click-click” of the underground trains just outside the flat windows never seemed to cease, and he always forgot the sound until he returned here. It was like the constant heartbeat of London.

But now Luke had to concentrate. He had, upon arrival, almost immediately noticed a pile of envelopes on the table in the living room with names written in longhand upon each one. There was a note for Charles, one for Brother Aran, one for Father Hildrebrandt, one for someone named Cassandra whom he did not know, and one for himself. The latter had the word “Urgent!” written under his name. He opened it immediately.

 

“My dear Luke,

  If you are reading this, then you have come to my flat in search of me. You will not find me here; but you may, in my absence, wish to ponder the painting in the hallway closet (the one that I’ve left unwrapped). At your earliest convenience, do join me in the chambers of the Abbot Primate in Rome. Once you arrive, seek out the door and knock thereon; if no one answers, be patient. If that yields no results, let yourself out and seek for Father Hildebrandt. I shall join you as soon as I am able, but you must wait for me. Under no circumstances are you to return to The Gallery! There has been a fire. I’ll explain when we meet.

               Azarias”


Luke reread the letter. He was accustomed to Azarias’ cryptic scribblings, but the reference to a fire disturbed him. He knew that Azarias was a voracious reader of literature, including that of the 20th century, and he immediately recognized, or thought he recognized, the literary reference. “There’s been a fire, Sir,” was one of the most poignant lines in Michael Crichton’s book, The Andromeda Strain. If that association was what Azarias intended by his comment, then something disastrous had occurred, and he had no choice but to follow Azarias’ instructions to the letter — and as soon as possible.

He turned and strode out of the living room and into the hallway. The light was dim, but he found the closet and groped within it. He could feel the edges of an unframed canvas. This he removed and brought into the gray light of the living room, propping it next to the sofa. It was a small painting, perhaps two feet by three, and he thought he recognized it as one of his brother Charles’ pieces. Charles made a living as a painter in the Cotswolds, and he was quite talented, particularly at landscapes. Luke was more of a sketch artist; oil was not his preferred medium. But there was no sibling rivalry between them; Charles and Luke were very close, even if they lived on different continents and had different artistic styles and tastes.

But this particular painting was dark. It illustrated an almost claustrophobic space filled with bookshelves, maps, cabinets, and small framed cameos, all very dimly lit, as if by candlelight, or through some magical means of illumination. It was of a secret place, a hidden place, with strange instruments and books barely glimpsed on darkened shelves. It was also a place that was, frankly, none too inviting.

“Wherever could such a strange squirrel’s nest of artifacts and documents be found in a place like Rome?” he wondered.

But Luke did not hesitate in the task at hand. He made sure that the door to the flat was indeed locked and secured, and then he returned to the living room, turned the ring around on his finger once more, and stared again at his brother’s painting. It was glowing now, with the familiar bluish tinge around the edges of the canvas. Luke crouched, braced himself, and crawled (there is no more elegant way to phrase it; these are the circumstances in which members of the Fratrum Simulacrorum sometimes find themselves) through the painting and into the space beyond.

He pulled himself through and reached out with his hands to discover where he might safely find room to stand. The lighting was, indeed, dim; he suspected his brother, in painting the image, had used considerable artistic license to render it visible at all. But for the light coming from the portal, he would scarcely be able to make out any of his surroundings, so he delayed turning his ring back around until he could better gain his bearings. He felt the familiar wave of nausea that almost always accompanied him when he frameran any image other than one of his own, and he remained on the floor long enough to swallow a few bites of chocolate.

“Very good,” he said, once he began to feel better, “there are the maps and the bookshelves. And — thank heavens — there is the doorway!”

He stood up, rapped upon the door and waited. There was no answer. He waited a bit longer and rapped once more.

Nothing.

He put his ear up to the heavy wood and listened. Very faintly, he heard voices, and happily they appeared to be getting louder. When he began to be able to distinguish individual words, he banged loudly on the door with the side of his fist.

There was a brief pause, and then he heard the clinking of keys. At last a chink of light showed itself from outside the chamber. The door opened wide and the golden sunbeams of an Italian mid-winter’s day seared the backs of his eyeballs.

“Master Luke, greetings!” boomed a familiar voice. It was Brother Azarias, of course, and Luke recognized his grey-bearded countenance towering above him in the sunlit room. Also standing by the doorway was another man: smaller, and younger in appearance than Azarias, but no less intense a presence for those sensitive to such things.

Father Hildebrandt stepped forward to grasp Luke’s hand and help him climb up and out of the hidden chamber and into his formal office. The room was wood paneled with marble floors. An antique desk and chairs were in the center of the space, and bookshelves lined two walls. Behind the desk, high, arched windows let in the golden light of afternoon.

Father Hildebrandt had been the Abbot Primate of the Benedictine Order for as long as most living Benedictines could remember, but he retained the look of a man in his late forties or early fifties. It occurred to Luke that he had never really paid him that close an attention, and this was odd, given that he was an artist and was usually fascinated with peoples’ faces and expressions. He wondered if Father Hildebrandt could, in some way, cloak himself in something like a “cloud of inattention”. Such a skill would be very valuable to almost anyone in such a prominent position, if such a thing were possible….

“Thank you both,” said Luke. “And I apologize if my arrival is in any way inconvenient….”

Father Hildrbrandt could scarcely conceal a genial smile, and Azarias smacked himself on the forehead. “What in the world are you saying, Master Lucas?! Far from being an inconvenience, we have been awaiting your arrival for some time now! The game is afoot! There is no time to waste!”

“Why? Has something happened?” asked Luke.

“First, you tell us! There has been considerable news here, but I suspect it would be prudent for all of us to hear from you first; only then will we be able to determine the full nature of what is transpiring and why. So, we have been expecting to hear from you and were hoping you would arrive sooner rather than later. Thank heavens it was sooner!”

“Please, Luke, do take a seat,” said Father Hildebrandt, indicating a chair situated beside his desk.

Brother Azarias, easily the tallest of the three men, waited for both Luke and the Abbot to be seated, and then he strode over to the doorway leading from the office into the hallway of the Monastery de Sant’Anselmo. He cracked the door slightly to assure himself that no one was outside other than Brother Carroll, the Abbot’s secretary. Then he shut the door, locked it, pulled another chair beside Luke’s, and sat down heavily.

“So, please, Luke, do tell us what has happened to bring you to us,” said the Abbot.

Luke began by explaining the hunt that he and Sam had undertaken the previous day for the Piper, and how that elusive being had ultimately led them into Jill Jonsson’s library.

“Ah! So he’s back!” said Azarias, “I thought that likely. He seems to show up whenever anything monumental is afoot. Are we still in the dark as to whether he frameruns with a crystal, or uses, instead, some other means?”

“No, we’re no closer to understanding anything about him, I fear,” said Luke. “But I do think it significant that he led us to Miss Jonsson’s home. This is the second time he has put us into contact with a member of her family, as you know. And you also know what happened the first time….”

“Yes, I’m afraid I do,” said Azarias, his brow furrowing.

         [ To read Episode 9.2, click here…. ]

 

 

 

Feb 20

In the Company of Angels: Episode 6.2 – Parting Company (cont.)

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In the Company of Angels, Episode 6.2 – Parting Company (cont.)

 

“I can see that there are wooden beams that come down to the floor”, said Luke, “and they meet somewhere above the portal: atop a wall, probably, or perhaps at the peak of the roof. I can also see other shapes scattered about: maybe they’re odds and ends, like you’d find in a  storage space…? Some of them do, in fact, appear to be covered with cloth, and everything has a thick layer of dust on it.”

Sam beamed at Jill and nudged her. “Mr. Luke can see stuff better than anybody. I think it comes from his being a Renderer. I remember one time my trying to draw a frog, and he was coaching me. He kept shaking his head and saying ‘You’re not looking properly, Samuel!’” Sam had altered his voice to mimic Mr. Luke’s.

Jill giggled. “You do that very well!” she said under her breath.

Sam grinned. “Yeah, but I never could get the frog to look right, Honestly, I couldn’t draw my way out of a paper bag! But I’ll bet if you showed Mr. Luke anything, he could draw it, and so life-like it’d scare the heck out of you!”

“So, is that the main thing Renderers can do? Draw?” asked Jill.

“It’s a lot more than that. They can sketch the simplest thing and framerun it…even better than I can, because they’re the ones that drew it! You’ll see for yourself if Mr. Luke goes to find Azarias. You would already have seen it if there’d been a surface for him to draw on down in the street; up here, it would be easy, ‘cause he could use any of these stones as a canvas.”

“Alright,” said Mr. Luke, “If you two will be so kind as to stop chattering, I think I have a plan. I can see nothing immediately dangerous through this portal, and I would definitely like to know what we can learn about that bird. It was a raven, by the way; did any of you notice?”

Sam winked at Jill but said nothing. Polly remained silent.

Luke looked around at everyone. “Here’s how I suspect we ought to proceed, but I’m open to suggestions. I believe that I ought to consult with Azarias, provided I can find him. So, I will attempt to framerun back to London. I’ll explain the situation to him and see if he can shed any light on what might be happening here. If he deems it necessary, I’ll bring him back to help us.

“Sam, if you and Jill are willing, I’d like for you both to explore this frame and learn what you can about what’s on the other side. Most importantly, I’d like you to see where the raven came from. There’s something very peculiar about a bird that can framerun! My suspicion is that the creature may have stolen the third crystal, but perhaps you’ll find that out once you’ve caught up with it.”

“How much exploring do you want us to do, Mr. Luke?” asked Sam. “I mean, yeah, we may find ourselves in an attic or a crawlspace or something, but if we see no signs of the raven, what then? Do you want us to snoop around a bit?”

“Only if it seems safe. We have no idea which of the Iconic Realms may be on the other side of that frame, so there may be dangers that we’re not expecting,” said Mr. Luke.

“You mean like wild boars in Narnai?” Sam was grinning.

“Ahem! That, Samuel, was not my fault. And, for our purposes here, it is ancient history! No, I mean that we don’t even know if what looks like an attic means that there will be human beings there that built it! Aside from that, remember that the portal could also lead you back to earth, but at a different time than our own. If that appears to be the case, you need to touch nothing and return immediately; we can’t risk meddling in a time-tethered realm.”

“A what?” asked Jill.

“Sam will explain it to you. But, Sam, remember: prudence first! And although she’s just learning to use her abilities, have Jill help you to find the bird; she may be able to track it down even if you can’t. For that matter, she may be able to alert you to the presence of people or dangerous creatures before you would even know they’re there.”

Sam nodded. “We’ll be careful.” Jill looked at Sam and swallowed.

“Polly,” said Mr. Luke. “If you don’t mind, I’d like for you to remain here so that you can keep an eye on this new frame and on the stone gateway and its crystals. I don’t know if you could get through the portal to help Sam and Jill if they needed it in any event, but you can watch their progress as long as they are within sight. And you can also help them sense what’s in the space before they jump in blindly…you may be able to tell them who or what is near the picture on the other side before they framerun it. Also, if anything happens to them or to the doorway, you should try to follow me back to London through the sketch I’m going to draw.”

Polly nodded. “I shall stay here. This is still my home, and I fear nothing on Orbaratus, even if some danger lurks behind the doorway.”

“So, does this plan suit everyone?”

“Works for me,” said Sam.

“Me too,” said Jill, “although I still think that portal’s kinda small….”

Polydora simply nodded.

“Good. Then it’s settled. I’ll be off first…” Mr. Luke walked toward one of the monoliths that littered the plaza, drew a piece of chalk from a pocket in his drover coat, and then quickly and expertly sketched a rectangular doorway through which could be seen a sofa and a window beyond it. It was a very simple sketch, and one that only took him a minute or two to draw onto the stone surface. But, once he was satisfied, he bowed to the others.

“I shall return as soon as possible. If anything goes seriously amiss, Polly, please come after me. And you two,” he said, turning to Sam and Jill, “remember: caution! No heroics! Jill, do your best to rein Sam in if he threatens to do anything rash!”

With that, Mr. Luke turned his ring around on his finger and stepped into his drawing.

Despite Sam’s comment about Renderers, Jill was still astonished and gasped when he disappeared. She had seen the bluish glow on the sketch even as it was being created, but this was the simplest of images: nothing like the painting that they had traveled through to reach Orbaratus, nor any of the pictures in her library that she now knew had been framerun by Mr. Luke and Sam…and Rusty.

“Wow!” she said. “That’s really amazing! So, can he do that to go anywhere? At any time?”

“Yeah, pretty much,” said Sam. “‘Course, he can’t Mazerun, so I guess that’s something I can do that he can’t. But who wouldn’t like to be able to step through their own drawing and go to the North Pole, or to Wonderland, or to Lothlorien?

“That said, I never got around to asking you,” said Sam. “Can you draw anything yourself? Ever taken any of Ms. Craig’s art classes at school?“

“Yes, once, and it was a total disaster,” said Jill. “I was lucky to get a ‘B’, which she gave me just because she felt sorry for me. It’s definitely not my thing. I doubt if I did any better than you did with your frog sketch for Mr. Luke. I mean, I can draw really simple things, like stick figures or smiley faces, but nothing like Mr. Luke.”

“Yeah, Mr. Luke’s pretty spectacular. I think Azarias can draw, too, but I’ve never seen him do it. But, enough talking: we have a job to do!”

“Yes, we do!” said Jill. “So just how should we proceed with this?”

“I should look first,” said Polly aloud. “I wish to make sure that all appears safe on the other side of the raven’s frame.”

From within her head, just after Polly had finished speaking aloud, Jill heard Polly speak to her separately. “Go slowly with Sam, little one. He doesn’t sense things well, nor the way we do. You should trust what your feelings tell you is happening, and slow him down if the need arises.”

“But how can I slow him down?” thought Jill back to Polly.

“Just tell him what you feel, and remind him that Mr. Luke told him to trust you. He will listen to you; perhaps even more so than to Mr. Luke.”

“Why would he listen to me?!” asked Jill.

In her head, she “heard” Polly laughing softly at the question. “He will listen. Trust me, little one,” came the response. Jill looked up at Polly questioningly, but the Ferrumari betrayed no emotion on her serene, metallic countenance. Instead, she stepped toward the raven’s frame. Grasping her crystal tightly in hand, she stooped and thrust her head into the dark portal. She stood there, as still as a statue, peering into the darkness.

Nearly a minute passed before Polly pulled her head back out of the frame. “I cannot tell for certain, but I believe that the world on the other side of this frame may be your planet, the Earth. I cannot say if it is your own time or some other. But, there are at least two people in the house, for that is what the structure appears to be. I think that this portal, in fact, leads into a crawlspace or side attic of the house. I can detect no sign of the raven, but perhaps he has simply flown from the attic space; that you will have to determine for yourselves.”

“Can you tell us any more about the people that are in the house?” asked Sam.

“Very little. They are both on the same floor as the attic space, and in fact appear to be quite near to the portal, just on the other side of a wall.”

“So this space is on an upper story of the house?”

“I believe so,” said Polly. “I cannot tell you much about the floor below, but there are living things surrounding it; plants, birds, trees. The attic is most likely on the first floor of the house, and the main part of the house is below.”

“You mean it’s on the second floor of the house then, not the first….”

Jill thought for a moment. “No, Sam, I think she means the first floor in the British sense. That is, the floor above ground level. Is that what you mean, Polly?”

Polly nodded.

“OK, then. We’re going into a crawlspace with folks around, So, let’s be as quiet as mice!” said Sam.

Jill had never experienced such a thing before, but she received the psychic equivalent of a nudge from Polly, and looking up at her, she saw that the Ferrumari was smiling. “Yes, be as quiet as can be,” Polly said to Sam.

The bottom of the frame was just about at waist height, or a little above. Grasping the sapphire on the pendant around his neck tightly, Sam bent down and squeezed through the opening.

Jill watched him disappear, gave Polly one last glance, and then followed him into the darkness.

Polydora watched them both enter the portal, and then bent down and looked through it to make sure that she could see them on the other side. She saw Jill stand upright, dust herself off, and then turn back and wave.

Polly waved back. Then she stood back up straight and looked around at her home — at Orbaratus. The wind was still whistling around the empty stone monuments. Otherwise, it was quiet; as quiet as she always remembered it. She was once again alone in her world; in a world filled with ghosts and even perhaps with dangers that she had never known before. But it was still her home.

Polly breathed deeply of the air of Cenurbus. It smelled as it always had: flinty. It was a smell that she only noticed consciously when she returned with Luke, Jill and Sam. When she had lived here for those many hundreds of earth years, it was just part of the background — she had had no other world with which to compare it. But now she recognized the smell of her home. She could detect nothing obviously amiss now, either in the smells or the sights of Cenurbus.

That was when the rumblings began again, and Polydora knew that another earthquake was coming. But there was something else, past the seismic sounds, that she sensed. For the first time ever, Polly thought she could detect the slightest presence of other living creatures: creatures that belonged to this world, just like her. And Polly sensed that these beings must be awakening somewhere deep, deep beneath her: under the very stones at her feet….

                [ To read Episode 7.1, click here…. ]

 

 

Feb 13

In the Company of Angels: Episode 6.1 – Parting Company

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In the Company of Angels, Episode 6.1 – Parting Company

Polydora grabbed Jill by the hand and pulled her away from the doorway just as a large stone from the cliff face above it broke off and splintered onto the pavement. It landed where Jill had been standing. Luke took Jill’s other hand and the three of them followed Sam out onto the open plaza.

The earth heaved around them and they heard cracking sounds as planters and stone pillars splintered. Looking past the edges of the plaza, they saw dust and debris falling from the buildings below them and on either side. Then the motion of the earth, which was beginning to make Jill a bit dizzy, ceased. The rumbling continued for some time, punctuated with the sounds of additional objects falling and crashing below them. Then there was silence.

“Jill, are you alright?” asked  Luke.

“Yes, I’m fine, but I wouldn’t have been without Polly….”

“Is everyone else OK? Sam?”

“Sure, I’m fine, said Sam. “But what happened? Polly, do you get a lot of earthquakes on Orbaratus?”

Polydora shook her head. “This is the first I have ever experienced here.”

“I can’t help but wonder if it has something to do with the missing stone,” said  Luke. “It can’t be just a coincidence that it would be gone, Polly would sense someone or something else here, and then we’d have an earthquake, all at nearly the same time. There is more going on here than we know. Something isn’t right, and we may need help to figure out just what.”

“Help? What sort of help?” asked Jill.

“We need to get Azarias involved. Polly, do you know if he has ever come to Orbaratus?”

“Of course he has! He was among the first to visit my home,” said the Ferrumari. “In truth, he was the first human being I ever saw; nay, even the first living creature I ever encountered other than myself.”

“Then he is certain to know more about Orbaratus than we do; he may even know things you are unaware of, Polly. I’ll see if I can find him and at least talk with him. If need be, he may want to join us here.” Luke tugged at his beard for a moment.

“Mr. Luke, you said, just before the earthquake, that you thought we were in great danger. What made you say that?” asked Jill.

“If my understanding of the verses Polly translated is correct, then the three crystals that were placed around the stone doorway were put there for a reason: to prevent someone or something from escaping from whatever lies beyond the doorway. I don’t know why the crystals we use would be capable of such a thing, but perhaps these are not the same stones; perhaps they do something entirely different.

“Polly, you mentioned the Masters, and the fact that they have been gone for many thousands of years….”

“Yes,” said Polly, “the histories are not clear; they had become the stuff of legend by the time the wars broke out among my own people.”

“But do the histories say what happened to them or where they went? Was there a plague? Or a war?”

“Perhaps. The histories mention wars and madness, but it is not clear what was their cause. It seems that as the madness, whatever it might have been, spread, the Ferrumari began to fight against the Masters; not for independence, but to bring a halt to the bloodshed and the violence.”

“So, is it possible the Ferrumari may have had to imprison the Masters? Is that what you’re thinking, Mr. Luke?” asked Sam. “In that case, that doorway may lead into some sort of a dungeon, or maybe the Masters are cryogenically frozen, like Khan was in Star Trek!”

“Khan?” asked Jill, “You mean Genghis Khan was in Star Trek?!”

“No, no. A different Khan. And it was in the movie, not the TV show,” said Sam.

“Well, I never saw either. I told you I didn’t  watch much in the way of space stories….”

Sam rolled his eyes. “Still — whatcha think, Mr. Luke?”

“About the Masters being locked behind that door? It’s a possibility; that’s why I want to ask Azarias. He may have spent some time in the archives here and may know better why the stones were placed there and what they were trying to protect against, if anything.”

Jill had been listening to Luke, but suddenly, she didn’t know why precisely, her attention was drawn away. She had had a sudden sense of movement, and of being watched. She glanced up to see what might have attracted her attention, and just then a black form flew right past her toward the stone doorway. It fluttered there for a moment, and then wheeled around and came back, flying right past all of them. Jill noticed that Polly, too, was watching this creature, and both of them instinctively tried to follow it.

“What’s happening?” asked Sam. “Where are you both going?”

“They’re chasing a bird, Sam,” said Luke, also turning to watch the creature.

The bird, for that is clearly what it was, emitted a harsh croak as it fled. It was large and black, and it flapped wildly toward to the plaza’s edge; then, suddenly, it was gone! Jill and Polly, who had been running just behind it, looked over the edge of the chasm to the street below, and then back at each other.

“It disappeared!” Jill shouted back at Sam and Luke.

“What do you mean, ‘disappeared’? You mean it flew down into the street?” Sam asked as he came panting up to the plaza’s edge.

“No, I mean it’s gone! Like, gone from this world, gone!” said Jill. “I…I can’t sense it anymore. Can you, Polly?”

“No, it is no longer on Orbaratus. It is not hiding, nor so far away that I would be unable to sense it” said Polly.

Luke smiled. “You’re right of course, both of you, but you weren’t paying close attention. It didn’t just vanish; it flew through a frame. Turn your rings back around again and you’ll see for yourselves.”

Jill turned her ring around and clenched her fist. Suddenly, right before her eyes, she could see a window open up in the air, ringed in a bluish light. It was a patch of darkness just in front of her, but much smaller than the portal they had used to come to Orbaratus.

“Huh!” said Sam as he came up to the frame. “Doggone bird must have had a crystal attached to it, or maybe it’s got one in its talons?”

“That, Samuel, is a very interesting observation,” said Luke. “What would a bird be doing with a sappire?”

“Maybe it picked it up. Maybe it stole the one from the doorway!” said Jill.

“We don’t yet know if the crystals on either side of the doorway are actually the same as the sapphires we use to framerun,” said Luke, “but if they are, and if, in fact, the bird has taken that stone, then we’d have answered at least one of our questions. But we still have too many remaining ones!” Luke sat down on a bench near them and rubbed his eyes for a few moments.

“Mr. Luke, we could always follow the bird and see where that portal leads us,” said Sam. “That might tell us more about what’s going on here.”

Jill looked at Sam, and then at the portal. It was perhaps a foot and a half wide, and nearly two feet tall. “It would be a tight squeeze!” she said.

“Naw, I’ve gotten through smaller,” said Sam, “But, let’s see what we can see without even going through….” Sam stepped toward the portal and moved back and forth, then up and down, trying to see what he could observe in the darkness beyond. Luke stood up and joined him.

“OK, it’s dark, so it’s tough to make out much, but it seems like maybe it’s a cave or an attic or a crawlspace of some sort? I can kind of make out wooden beams. What can you see, Mr. Luke?”

Luke repeated Sam’s motions, peering intently into the dark rectangle hanging in space. “Yes, I think you’re right, Sam. It definitely looks like it might be an attic, but where, exactly? And why in the world would someone, somewhere, have a painting or a sketch of the Plaza of the Masters that we know nothing about?!”

                [ To read Episode 6.2, click here…. ]

 

 

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